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David
Bridgeman-Sutton muses about
architects and organ builders ~ a marriage de convenance?
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Welcome
to the website of the Rieger

in the Christchurch Town Hall,
New Zealand
Musings & Amusings
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Headnote:
When Noel
Mander was planning the 1973 rebuilding of St Paul's cathedral
organ, he proposed that the two halves of the Smith case should
be re-united on the screen to contain a section of the instrument.
This plan was not adopted, but a sketch showing whay its effect
would have been is reproduced as the frontispiece to Nicholas
Plumpey's The Organs of the City of London. The book (ISBN 0 906894
06 9) is published by Positif Press, 130 Southfield Road, Oxford.
ARCHITECTS AND ORGAN
BUILDERS
Christopher Wren sighed and reached for the drawing board and T-square.
Like all the best classically-inspired architects, he considered
a fine vista to be an essential ingredient of a large building..
His new cathedral of St Paul, in London, was to amaze visitors as
they entered the West door with an uninterrupted view to the East
end - a total distance of 500 feet (155 metres). Furnishings were
to be of relatively small scale and the organ was to tucked away
behind the choir stalls. Although he said it himself, this was to
be a vista without equal.
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Picture 1 |
Then
the wretched clergy - whod been nothing but nuisances ever
since work began - came along and demanded a screen of the kind
found in mediaeval cathedrals. This was to divide the choir from
the rest of the building, cutting off a third of the length from
view. (The thick, blue line on the plan - picture 1, left - shows
the approximate site of this). To make matters worse, the organ
was to stand on top, thus destroying any vista that might have remained.
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On
the grounds that an object may be large or inconspicuous, but not
both, Wren made the screen as low as he dared and redrew the plans
for the organ case so that it would obtrude as little as possible.
Later, this led to considerable unpleasantness when Bernhardt Schmidt,
the organ builder, discovered that there wasnt room for three
of the stops.
Reference was made by an exasperated Wren to "Your damned box
of whistles" and the discarded pipes lay about the cathedral
for some years gathering dust and dents. |

Picture
2 |
There
was one consolation for Schmidt. The case had been made lower as well
as narrower so that the bass pipes stuck out at the top: if Wren had
ruined his organ, then a return blow had been struck by introducing
an apparent line of chimney pots into the middle of what was left
of the vista.
The architect's remedy was to add extensions, with angels in attendance,
to the top of each tower. These may be seen on the much-altered organ
even to-today ( picture 2) as very evident afterthoughts. |
Two
hundred years or so after Wren, Giles Gilbert Scott and Henry Willis
worked on the case of the new organ for Liverpool Anglican cathedral
(picture 3). The console is placed in the projecting gallery, some
twenty five feet above the choir stalls.
The
organist was asked what he thought of the design
Pretty
good, he said. But how am I to get to the console? There
aren't any stairs.
Giles
Gilbert Scott sighed and reached for the drawing board and T-square.
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Click
on image to see large version |
Picture
credits:
1. Milman's History of St Paul's
2. NPOR/ St Paul's Cathedral
3. The Laycock archive. |
Martin
Setchell played the organ at St Paul's on Sunday July 13 at 5pm
in 2003
David Bridgeman-Sutton, 2003
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