
The Christchurch
Town Hall organ
homepage
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"Let
the Pealing Organ Blow!"
Once
more available!!
- Full
tracklist: here
- See
the making of this historic CD here
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Welcome
to the website of the Rieger

in the Christchurch Town Hall,
New Zealand
REVIEWS
Click
here to buy |
Reviewed
by Basil Ramsey on the
Music
and Vision Daily website
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"Christchurch
in New Zealand has an excellent 1997 Rieger organ in its Town Hall,
and an organist with a technique to match. Most importantly, the
two make good music together. Furthermore, a situation like this
requires a musical balance, Bach one moment and Sousa the next."
--
MORE from the review
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Music
Web UK
Reviewed
by Dr Simon Jenner
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"The
Carlo Curley of Christchurch? Almost. Blackpool-born Martin Setchell
studied Modern Languages at Exeter, then organ with Reginald Dixon,
Peter Hurford, Pierre Cochereau, and Marie-Claire Alain. He won
many prizes. He emigrated to New Zealand in 1974 with his appointment
to the University of Canterbury School of Music, where he is now
senior lecturer. He records regularly for the New Zealand Concert
FM programme. Thus far impeccable credentials. Perhaps this CD is
a spin-off from his concert FM broadcasts.
He
plays a popular programme beautifully, and the Rieger organ, recorded
close, makes an impressive, clean, but warm sound. The Widor is
marginally less fast but registered more immediately than the acclaimed
Lindley performance in Leeds Parish Church which is more distant.
This is a full-blooded reading that allows, in its close registration,
a wonderfully sotto voce effect from the pipes
to drift just above audibility. The Bach items are by a pupil of
Peter Hurford. The organ doesn't allow a period-aware performance
of the silvery effect we sometimes hear on many baroque organs,
but this intelligently selected Bach..... " READ
MORE at the website
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Press, December 19, 1997
by David Sell for the Christchurch
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"The
thousands who have turned up to hear the two series of lunchtime concerts
since the long-waited-for debut of Christchurch's Town Hall organ
in May will recognise this as the ideal souvenir and Christmas present.
It is an unashamed demonstration of what this versatile instrument
can do.
Starting with the ubiquitous Widor Toccata, Martin Setchell takes
the listener through 15 items, from Bach to Joplin. He plays it as
a cinema organ in an arrangement of Meyerbeer's Coronation March,
as a recital organ in Franck's Choral No. 3 in A minor, and as a fun
instrument in Alfred Louis James Lefebure-Wely's Sortie in E flat.
Martin Setchell's playing is technically meticulous and with an impressive
sense of stylistic differences. Registrations cover the whole scope
of the organ's specification, and are clear and tasteful.
Recording quality is excellent. The 32-foot Kontraposaune at the end
of the Cesar Franck is as powerful and distortion-free in the recording
as in the auditorium. The attractively illustrated CD booklet is informative
for the casual listener as well as the serious organ buff, and contains
a historical description of the first major pipe organ to have been
built in New Zealand for some decades."
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